You see it in “Tomorrow,” where she’s hoping that the next day will ease the uncertainty of today, then again in “My World,” where going to parties and braiding your hair is peppered with musings about love and loneliness. Her desire to make sense of life and the world pops up over and over again in the album. You can leave the album feeling cheered up even if you were listening to it to brood. This juxtaposition allows her lyrics to be deeply despondent without allowing the song to veer into hopelessness. She sings “Guess, I’m wishing my life away/ With these things I’ll never say” with such cheerfulness that you could replace these lyrics with their exact opposite and they would blend in smoothly.
One of the features of Lavigne’s music that struck me was the contrast between the angst of the lyrics with their generally peppy and upbeat sound. Instead, here it is relatable and comforting. “Is it enough to love?/ Is it enough to breathe?/ Somebody rip my heart out/ And leave me here to bleed.” The hypocrisy of her begging to be “Anything but Ordinary” while being frustrated with her boyfriend for wanting to do the same is not an “aha gotcha!” moment. A few songs down from “Complicated,” she’s reached a point where she too doesn’t feel like anything is enough- not herself, and not her life. And so you’re stuck and confused: why is he making things difficult for you? If he just “chill out” and was himself, things would be so much better!īut the struggle of being oneself is not something foreign to Avril. And in all his fitting in, there isn’t enough left of the boy that you fell for.
In fact, you very much do, but the boy, much like yourself, is trying to fit in. In “Complicated,” you’re not upset because you don’t have the boy. Rather, it delves into all the ways that life feels imperfect. “Sk8er Boi”’s appeal lies in what it leaves you with: the audacity to imagine that you get to win in the end-“Sorry, girl, but you missed out/ Well, tough, luck that boy’s mine now.”īut much of the album is about not winning. So, the lyrics are simple and straightforward, but they don’t need to be anything else. Instead, she’s the one who sees the person for who he is and gets to be with him while the other person is filled with regret. But the most fun part about the song is Avril’s role. This album features one of her most iconic songs, and my favorite, “Sk8er Boi.” The narrative of the song is reminiscent of children’s moral stories, using a classic formula: you shallowly misjudge someone, they become really big and successful, and you regret that you let them go. Lavigne was 17-years-old when she released Let Go, a 13-track album that chronicles the angst of growing up, and in so doing, brought female pop-punk music into the limelight. But if you were a teenager in June 2002, you would get to go through these turbulent years with Avril Lavigne, whose debut, Let Go became one of the biggest pop sensations of the year. You feel more perceived than ever, and everyone seems to have it together but you, so you’re scrambling to figure it all out. When you’re a teenager, every problem is monumental.
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